Music Supervision

Atrium provides comprehensive music supervision services, taking care of your entire production. We handle everything from clearing commercial music and coordinating with composers.

Music that serves the story

Story First From the Very Beginning

Every great music decision starts with story. We focus on narrative, emotional timing, and audience impact so music does more than accompany the picture, it shapes the experience. At Atrium, music is never an afterthought. It is a storytelling tool used with intention from the very beginning.

Creative + Editorial Expertise, Inside and Out

We approach every project with the end in mind. With decades of experience in both editing and music supervision, Atrium understands how music truly lives inside the cut, where timing and emotion matter most. We do not just find tracks that sound good. We find music that works.

Clearances Handled In-House, Without the Headaches

Great music only works if it is fully cleared, and we make sure it is. From rights research to final paperwork, Atrium manages licensing and clearances in-house so there are no surprises or delays. You get creative freedom without legal stress, and a seamless process that keeps production moving forward.

A Clear, Collaborative Workflow

Music supervision should feel supportive, not overwhelming. Atrium’s process is designed to stay flexible, responsive, and aligned with your production timeline.

We start by understanding your vision, references, emotional goals, and budget parameters. You receive thoughtful, scene-ready options—never generic playlists—tailored to your project’s tone and needs.

Once selections are approved, we finalize licensing, clear all rights, and deliver assets ready for post-production and broadcast.

The Atrium Music Difference

Artist-Driven Music, Chosen with Care
Atrium is built around a global roster of exceptional independent artists who create with intention.
High-Quality Licensing Made Easy
We deliver major-label quality without delays or red tape.
White-Glove Service,
Human to Human
We are a boutique partner, not a platform. Every project receives hands-on attention.
Our Promise
You only pay for the music you actually use. Whatever your project calls for, we find the right track and make it work within your budget.

Take the publishing Admin Off Your Plate

Let us handle registrations, collections, and reporting — so you can focus on creating while your catalog works harder worldwide.

Our Artists

Will Boreing

Featured On Shows:

ALL TRACKS BY ARTIST

Tyler Cain

Featured On Shows:

ALL TRACKS BY ARTIST

Saint Stephen

Featured On Shows:

ALL TRACKS BY ARTIST

Ryan Prewett

Featured On Shows:

ALL TRACKS BY ARTIST

Rhyan Shirley

Featured On Shows:

ALL TRACKS BY ARTIST

Maura Streppa

Featured On Shows:

ALL TRACKS BY ARTIST

Lindsay Boreing

Featured On Shows:

ALL TRACKS BY ARTIST

Lauren Vale

Featured On Shows:

ALL TRACKS BY ARTIST

Kelly Roberson

Featured On Shows:

ALL TRACKS BY ARTIST

Katrina Stone

Featured On Shows:

ALL TRACKS BY ARTIST

Josh Nichols (Rowan Kade)

Featured On Shows:

ALL TRACKS BY ARTIST

Jon Mullins

Featured On Shows:

ALL TRACKS BY ARTIST

Jenn Bostic

Featured On Shows:

ALL TRACKS BY ARTIST

Jay Denton

Featured On Shows:

ALL TRACKS BY ARTIST

Colton Russell

Featured On Shows:

ALL TRACKS BY ARTIST

Chloe Collins

Featured On Shows:

ALL TRACKS BY ARTIST

Brooks Herring

Featured On Shows:

ALL TRACKS BY ARTIST

Benj Heard

Featured On Shows:

ALL TRACKS BY ARTIST
500+

Successful placements in 2026

1.6K+

Artists in our catalog

15+

Years of experience in business

Hear From Our Clients

"Atrium has been a pleasure to work with over the last several years. In a sometimes extremely tedious and painstaking area of the industry, Atrium had consistently made the process of song submission to song placement seamless and simple. I’m grateful for the work we’ve done together, and I hope to continue for many years to come."

"Landed my first-ever sync placement with Atrium! From that first win to many more, they’ve helped me grow tremendously. Both in understanding the world of sync and developing my craft in writing for TV. Josh and the entire team are not only exceptional human beings, but also an incredible resource for knowledge and industry expertise. Excited for continued collaboration!"

"I love the experience I’ve had with Atrium Music! I started my sync licensing journey with Atrium leading the charge as my top choice music library for all of my Syncable projects. Josh has been awesome with answering all of my questions in a speedy fashion. Very friendly and active! I've consistently seen great results from Atrium finding placements for my Songs. Also, the recent change to Atrium direct Pay brings me even more excitement for my continued future as apart of the Atrium Music Family!"

"It's been over 10 years, multiple countries, multiple TV shows, and it still is amazing to hear my music be apart of a story that millions of people tune into each week whether it's about love, action, crime or something else. Special thanks to all over at Atrium that make this happen."

"Atrium truly feels like family. I had some success in landing some songs with them on Netflix. The family over at Atrium is very attentive , easy to talk to and are very receptive. Love being part of the family."

"Atrium have placed music of mine on shows as well-known as The Bachelorette. It’s been a kick to see those successes and an inspiration to see the fine work they’re doing to open doors on a number of great programs. Josh and the team have always been fair and open about things like pay scale and new opportunities, and I look forward to continued work on their upcoming projects!"

Hear From Our Clients

"Atrium has been a pleasure to work with over the last several years. In a sometimes extremely tedious and painstaking area of the industry, Atrium had consistently made the process of song submission to song placement seamless and simple. I’m grateful for the work we’ve done together, and I hope to continue for many years to come."

"Landed my first-ever sync placement with Atrium! From that first win to many more, they’ve helped me grow tremendously. Both in understanding the world of sync and developing my craft in writing for TV. Josh and the entire team are not only exceptional human beings, but also an incredible resource for knowledge and industry expertise. Excited for continued collaboration!"

"I love the experience I’ve had with Atrium Music! I started my sync licensing journey with Atrium leading the charge as my top choice music library for all of my Syncable projects. Josh has been awesome with answering all of my questions in a speedy fashion. Very friendly and active! I've consistently seen great results from Atrium finding placements for my Songs. Also, the recent change to Atrium direct Pay brings me even more excitement for my continued future as apart of the Atrium Music Family!"

"It's been over 10 years, multiple countries, multiple TV shows, and it still is amazing to hear my music be apart of a story that millions of people tune into each week whether it's about love, action, crime or something else. Special thanks to all over at Atrium that make this happen."

"Atrium truly feels like family. I had some success in landing some songs with them on Netflix. The family over at Atrium is very attentive , easy to talk to and are very receptive. Love being part of the family."

"Atrium have placed music of mine on shows as well-known as The Bachelorette. It’s been a kick to see those successes and an inspiration to see the fine work they’re doing to open doors on a number of great programs. Josh and the team have always been fair and open about things like pay scale and new opportunities, and I look forward to continued work on their upcoming projects!"

Music Supervision FAQs

What does a music supervisor do?

A music supervisor oversees the creative and logistical use of music in a project. This includes  song selection, creative direction, budgeting, licensing, and ensuring that all music is fully  cleared and production-ready.

When should music supervision be brought into a project?

As early as possible. Early involvement allows music to be shaped alongside the edit, saving  time, budget, and creative friction later in post-production. 

Does Atrium only use its own catalog?

No. While we represent a deep roster of artists, our priority is always the project. If the right song  lives outside our catalog, we’ll source, negotiate, and clear it on your behalf. 

How does Atrium handle music budgets?

We work transparently within your budget, offering creative options at multiple price points and  helping you maximize impact without overspending

What types of projects does Atrium supervise?

Television series, feature films, documentaries, commercials, branded content, and emerging  media. Whether it’s a full season or a single scene, our approach scales to your needs. 

What makes Atrium’s supervision different?

Atrium blends editorial insight, music expertise, and artist advocacy. We understand the creative  side, the business side, and the human side—and we bring all three into every project.