Atrium Music is a boutique sync licensing agency and music publishing company specializing in placing music on television, film, advertising, and branded content. We deliver high-quality, pre cleared, one-stop music with speed, integrity, and a human touch.
Yes. We’re a one-stop library so every track is fully cleared prior to pitching or licensing, allowing us to execute licenses at lightning speed.
Absolutely. Fast turnarounds are one of Atrium’s core strengths. We regularly pitch, license, and finalize music within hours when projects demand it.
No. Atrium represents human-created music only. Our clients come to us for authentic, emotionally driven work created by real artists, composers, and producers.
We work across television, film, streaming, advertising, branded content, and emerging media— anywhere music and storytelling intersect.
A music supervisor oversees the creative and logistical use of music in a project. This includes song selection, creative direction, budgeting, licensing, and ensuring that all music is fully cleared and production-ready.
As early as possible. Early involvement allows music to be shaped alongside the edit, saving time, budget, and creative friction later in post-production.
No. While we represent a deep roster of artists, our priority is always the project. If the right song lives outside our catalog, we’ll source, negotiate, and clear it on your behalf.
We work transparently within your budget, offering creative options at multiple price points and helping you maximize impact without overspending.
Television series, feature films, documentaries, commercials, branded content, and emerging media. Whether it’s a full season or a single scene, our approach scales to your needs.
Atrium blends editorial insight, music expertise, and artist advocacy. We understand the creative side, the business side, and the human side—and we bring all three into every project.
A custom composition is original music written specifically for your project. Unlike catalog tracks, it’s created from scratch to match your exact tone, timing, and emotional goals.
Licensed tracks already exist and are selected to fit a scene, while custom compositions are built around your visuals. Custom music allows for complete creative control, precise timing, and a sound that feels inseparable from the picture.
Timelines vary depending on scope, but most projects move from brief to final delivery within days or weeks. Atrium is experienced working under tight production schedules without sacrificing quality.
Yes. Collaboration is built into our process. We welcome thoughtful feedback and handle revisions efficiently to ensure the final music aligns with your vision.
Yes. All custom compositions delivered by Atrium are fully cleared and ready for use. Licensing terms are established upfront so there are no surprises later in the production or distribution process.
You’ll receive broadcast-ready masters along with stems and alternate versions, as needed. This ensures flexibility for edits, trailers, cut-downs, and future uses.
Music clearance involves confirming ownership, securing the appropriate licenses, and ensuring all rights are properly granted for your intended use. Atrium handles this process end-to-end so your project is legally protected before release or broadcast.
Ideally, music should be cleared as soon as it’s selected or locked for picture. Clearing early prevents last-minute issues, delays, or costly replacements down the line.
A cue sheet documents how music is used in a production and ensures royalties are paid correctly to artists and rights holders. Accurate cue sheets protect both productions and creators by keeping royalty reporting clean and reliable.
Yes. Atrium prepares, reviews, and submits cue sheets with complete accuracy, making sure all writers, publishers, timings, and usages are correctly documented and delivered to the proper parties.
Yes. We can handle clearance for third-party music, provided rights information is available. Our team manages negotiations and documentation to ensure compliance regardless of source.
Production changes happen. Atrium monitors revisions, updates documentation when needed, and resolves issues quickly to prevent future royalty or legal complications.
Our artists are hand-selected based on the quality of their work, consistency of placements, and alignment with Atrium’s creative standards. These artists represent the depth, diversity, and emotional range of our catalog.
No. We encourage our artists to pursue other opportunities beyond Atrium, as long as they don’t conflict with our terms.
Atrium artists have music placed across television, film, streaming series, and branded content. Placements range from major network shows to global streaming hits and high-profile campaigns and films.
Yes. All Atrium artists began by submitting music through our submission process. If your music aligns with our standards and creative vision, our team will reach out to discuss next steps.
No placement is ever guaranteed. Sync is competitive by nature, but our artists benefit from active pitching, trusted industry relationships, and thoughtful advocacy from our team.
Always. Atrium never takes ownership of an artist’s copyrights. Artists retain 100% ownership of their music while Atrium handles administration and licensing for approved tracks.
Yes. Every track in our catalog is fully pre-cleared, allowing for one-stop licensing with no rights confusion. This ensures fast approvals, clean paperwork, and fewer headaches during production.
We license music for television, film, advertising, branded content, video games, and emerging media. From global streaming series to indie films, we tailor our approach to the needs of each project.
Speed is one of our strengths. In many cases, we can deliver high-quality music options within hours, even under tight deadlines, without sacrificing creative quality.
Both. Atrium offers both blanket and needle drop licensing options depending on the project’s needs, usage, and budget. We work closely with clients to find the most efficient and cost effective solution.
Absolutely. We understand that every production has different financial constraints. Once you’ve found the right track, we work with you to make the license fit your budget.
Atrium combines artist-first values with white-glove client service. We deliver real, human created music with speed, flexibility, and a deep understanding of storytelling.
We require a minimum of 10 songs per submission. When we sign an artist, we’re building a long-term partnership, and a deeper catalog allows us to better advocate for your work.
Yes. Most sync placements require instrumentals to support dialogue and sound design. Without them, a song can’t be pitched for the majority of opportunities.
Yes. Released music is welcome as long as you control the master and publishing and the song isn’t tied to conflicting administrative agreements. Rights clarity is essential for accurate pitching and royalty tracking.
Always. You retain 100% ownership of your copyrights. Atrium only administers and pitches the specific tracks you submit to us.
No. Atrium operates under a strict no re-titling or re-registering policy. This protects your royalties, prevents cue sheet errors, and ensures your music stays clean and trusted in the system.
No. Atrium represents human-created music only. Our clients come to us for authentic, emotionally driven work created by real artists.
Admin Junkie is Atrium’s worldwide publishing administration service. We handle registration, collection, reporting, and royalty management while you retain full ownership of your music.
We collect performance and mechanical royalties worldwide, including handling registrations. Our goal is to maximize your earnings across all territories and platforms in as many ways as we can.
Yes. We can administer full catalogs or specific tracks only, depending on your needs. This flexibility allows artists and publishers to stay in control.
Royalties are reported and paid quarterly with detailed accounting statements. Transparency and accuracy are core to how we operate.
Admin Junkie operates on an industry-standard 15% administration fee on collected royalties. There may be additional fees for sync licensing due to legal and negotiation costs.
Never. Admin Junkie is strictly an administrative service. You retain full ownership and control of your music at all times.
No. Atrium operates on a semi-exclusive basis for the tracks we represent. This allows us to fully advocate for your music while keeping agreements clean and transparent.
Yes. Distribution is offered as an additional service for artists who need it. This is optional and separate from our core sync representation.
Copyright registration is not included by default, but can be handled upon request. We’re happy to assist when needed.
Yes. Atrium offers an optional service to manage YouTube Content ID claims and ad revenue collection for our artists.
Everywhere. From major networks and streaming platforms to advertising, film, and emerging media, we pitch globally and strategically.
Atrium is not a micro-licensing platform. If you’re looking for mass-market, AI-driven, or generic production music, we’re likely not the right partner.
Yes. Atrium places music across major broadcast networks and global streaming platforms, including top-rated television series and internationally distributed content. Our catalog and workflow are built to meet the standards and timelines of high-level productions.
Absolutely. Every track we pitch is fully pre-cleared, allowing us to offer one-stop licensing with no rights confusion or last-minute issues. This means faster approvals, cleaner paperwork, and peace of mind for production teams.
Speed is one of our core strengths. In many cases, we can deliver high-quality options within hours, even under tight deadlines. Our streamlined workflow allows us to move quickly without compromising quality.
Both. In addition to our diverse catalog, Atrium works with composers and producers to create custom music tailored specifically to your project’s needs—often with rapid turnaround when timing is critical.
We support television, film, advertising, branded content, video games, and emerging media. If your project needs emotionally authentic, broadcast-ready music, we’re built to help.
Atrium is artist-first and relationship-driven. We combine real, human-created music with white glove service, fast execution, and a deep understanding of storytelling—so our clients get music that truly elevates their work.
